TYPO magazine

CAR MONEY SNACKS MIXTAPE GUN
(voronoi tessellation 2)

lightning bugs cigarette trick backyard tent UFO
front porch opium thigh-freckles carpet bomb

trampoline gasoline seaside-plummet VCR

car money snacks mixtape gun
rock paper scissor fist time bomb

electric fan doctor strange sour cherry avalanche

red house watertower paperback birthday fuck
skin tint thindex waterflower bombpop

coffee sugar succulent sunrise handgrenade

rooftop candyshop museum-nymphomaniac
sneakers bubblegum bandana lightbox earthquake

last call zen center strange bed short hair neutron bomb

calla lily sundown short-shorts hair-needle nootropics
gasoline trampoline aplomb a-bomb

incense Converse frenchkiss EMP

movie theater firstbase hula-hoop throwing star
reading list absinthe tan lines tripwire

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TYPO MAGAZINE

Thanks to TYPO for publishing this piece. The rest of the issue is mind-bending. Check it out,

Wyvern Lit (Werewolf Movies)

Wyvern Lit published four parts of my WEREWOLF MOVIES poetry cycle at the end of 2015. Thanks to Emily O'Neill and Brent Rydin for that. Here's the first one, but check out the rest at this excellent, young(ish) journal!

Werewolf Movies Read April 2016 // Marco Maisto

Listen here.

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Ephemeral Poem Published in Fjords

Fjords Review took a chance on this poem ("Echo") in April 2015. Thanks, Fjords! See more here.

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Small Po[r]tions Journal

Small Po[r]tions journal published a poetry-object of mine in print and here.

mantic-. or, lungtungsong (I)

Small Po[r]tions Journal

Great. Little. Read.

Drunken Boat

I co-curated Drunken Boat #20 with Michael Chaney. Our folio was a collection of genre-nudging poetry comix. Visit it.

from "Painted Over," by Marco Maisto & Margaret Galey

To make this piece we painted and lettered a single canvas over and over, photographing it each time it made sense as a panel. Thanks to the best art partner I know.

from "Bruises," by Paul Tunis, Drunken Boat #20

from "feeling," by Marco Maisto

Digital Poetry Comic

SPRY

Thanks to SPRY for showing LEXIA some love. Not to mention the somewhat prolix interview that came with it. Special thanks to Lindsey Jane, one hell of an editor.